Good morning, everyone. I'm up exceptionally early for me (not a morning person!) because I'm going to my "other" RWA chapter near Fort Worth, Texas. Just like our new member Pam Stone, I'm a member of Dallas Area Romance Authors (DARA) and North Texas Romance Authors (NTRWA) which meets much farther away from my house.
NTRWA has an annual event called the Roundtable Meeting, in which participants submit ten pages of their manuscript to be critiqued one-on-one by a published author. It's a great program because it allows everyone to have some very valuable face time to explain their opinions and expertise. This year I had a sweet contemporary romance and a western historical to read.
The process of critiquing and being critiqued made me wonder how many of you who are aspiring authors have put your work out there for other writers (published or not) to review? It can be traumatic! At the same time, if you have helpful critique partners, it can also be the difference between selling and not selling.
Let me give you an example. Way back when I first started writing, which I don't even want to think about because then I feel older than my grandchildren make me feel, a group of us who met at a local conference formed a critique group. We all wrote different types of fiction. I was concentrating on historical romance, my friend Becky wrote short contemporary romance, and others wrote literary fiction, mainstream and suspense. Needless to say, we weren't always that helpful to all members of the group! While I enjoyed getting together, I'm not sure their remarks made my historical romance any stronger.
Then, I did what lots of industry-wise people tell us not to do; I paid an agent for a critique. I only paid $35 and only on the recommendation of someone who read my work in a contest, but still . . . I probably wouldn't recommend that anyone else do the same now that I know more about publishing. Despite this warning, I must confess that was the best $35 I ever spent. The agent told me that I was writing plot-driven rather than character-driven fiction, and went on to explain the difference. I was imposing my will on my characters, making them do what I wanted them to do, rather than setting up characters who could move the story along with motivated goals and conflict. Wow! This was a revelation to me. I fixed the problem and sold the book about a month later on proposal.
Last week, my current critique partners pointed out that perhaps I needed more conflict in the proposal I was working on for my last Brody's Crossing book. I had such a strong story for the heroine that I'd kind of forgotten to focus on the conflict between the hero and heroine. Oops!
So, my question for anyone, published or unpublished, is what was the best advice you ever received in a critique?
Have a great day. I'm going to critique, get a free lunch, spend time with my home-away-from-home chapter, and perhaps stop by some stores on the way back to Richardson, TX to see if my books are on the shelf.
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3 comments:
I LOVE my critique group! They point out my weak areas, and my writing improves when I hear them crit someone's work I also critiqued so I can see what I missed. This is why I was my chapter's "Contest Slut"--I love feedback. I know it helped me sell.
I like critiques if they're honest. I would rather hear that something is awful and receive constructive criticism than have someone tell me it's amazing only to find out it's awful.
I absolutely agree with Megan and Heather. Honestly is crucial, and it must be constructive. Still, sometimes I have trouble with being too "constructive." It's always a struggle to remember that it's the author's story, not mine, and I can't shape it into what I think it should be. I do try to a good critiquer. I love my writer friends who I critique with also.
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