Next week is the Romance Writers of America's annual conference. It was supposed to be held in Nashville, TN, but the terrible flood there forced a move to Orlando, FL. I sure hope the "tropical wave" off the east coast of Florida, which is supposed to turn into a tropical storm or hurricane, doesn't cancel or delay the travel plans of attendees. That would be a terrible double-whammy!
I had planned a road trip with some writer friends to Nashville, but opted not to go to Orlando for the RWA conference there since I'm going in September with my husband for a vacation. Now as I think about all my friends and associates heading to Orlando, I have mixed feelings. Yes, the conference costs a lot of money. On the other hand, it's fun and sometimes advantageous to network with others. You get very tired, but also very exhilarated. You wish you had a book in the RITA awards, but you also cheer for your friends who do.
In the end, you have to balance family, career, money and opportunity. But really, isn't that what we always do?
If you are an aspiring writer, often it's good to start by going to a local or regional conference first. The RWA national conference can be overwhelming, especially if you are still unsure about what you want to write, which publisher you want to target, or whether or not you need an agent. At a local or regional conference, you can meet published authors in a more relaxed setting and listen to them talk about their experiences. You can ask questions, and if the conference is at a hotel, the bar/lounge is the place to meet up. You have a better chance of getting an appointment with an editor or agent who is actively seeking new clients. The volume and variety of workshops isn't always so overwhelming. (Sometimes when I get my RWA national conference schedule, I can't decide which workshop is best for me, which ones I want to buy as recordings, and which ones I can skip to go shopping with friends!)
One of the best things about the RWA national conference is the booksigning, which benefits adult literacy groups. Publishers donate books as requested by authors who are attending. The room is huge, filled with all kinds of authors and books, from Nora Roberts to the newest member who just saw her first e-book published. Of course, the Harlequin American authors always have a good presence there and it's a wonderful opportunity to catch up with titles you might have missed. At the end of the evening, the author can either purchase her left-over books (with that money going to literacy also) or sign and donate them to local entities, such as women's shelters. If you get the chance to attend one of these booksignings, please come and buy books.
Next year I may see you in New York City. The conference starts June 28th at the Marriott Marquis in Times Square. I'll be there! Until then, happy reading and writing.
P.S. Don't forget to check out my favorite recipes here on the Harlequin American Authors blog on the 4th of every month. On August 4th, I'll be on a road trip with my friend Rebecca Russell, who wrote for Silhouette Romance, but I'll still have the recipes up for you to enjoy.
We played marbles in the winter and jump rope in the spring. We had several rhyming songs for Double Dutch, but I’ve long forgotten the words to them. Red Rover and Duck, Duck, Goose were popular. Remember a game called Telephone or Grapevine? A group of children would stand in a row and the first would whisper something into the ear of the next child. The message was passed that way until the last person said what they’d heard out loud—and of course it would have been hilariously altered from the original.
One of them is a hopscotch court, and it became an important theme in the story. One of my favorite scenes in the book takes place on that playground, where the hero’s seven-year-old daughter teaches him how to play hopscotch. As I wrote that scene, I wondered...do children today still play games on the playground? I hope so.
