I’ve completely run out of ideas for a blog topic this month, so I thought I’d talk about researching settings. My stories for Harlequin American Romance are set in small town Colorado. Now, I don’t know about you, but I just can’t bring myself to set a book somewhere I’ve never actually been, nor that I’m on pretty familiar terms with.

I think it adds authenticity if you can bring the setting alive with sights, sounds and smells thereby capturing the atmosphere of a place. I have no idea how anyone does that without having been where their books are set.

Take it from me, you’ll never read a sheik book by CC Coburn because I have absolutely no interest in travelling to Saudi Arabia et al. Been there (sorta general region) done that, aint goin’ back!

I live part of the year in a small town nestled in the Colorado Rockies and get so much inspiration from this setting that it becomes an integral part of my books—a character, if you will. But I add layers to this setting by interviewing locals who work in the occupations of my characters.

At first, I was a little anxious about approaching people to interview them, half-thinking they’d discount me, as we see so often in the press, as just another hack writer of trashy books.

But the reaction has been quite the opposite. I’ve interviewed a County Court judge, been taken on a tour of the County Jail, interviewed the Sheriff and the commander of our town Fire Department (plus got to check out his firefighters and their quarters!) a veterinarian and a local rancher who all gave up hours of their time to answer my nosy questions. I’ve also interviewed rescue personnel and the head of the local ski patrol.

Each has been so generous in their assistance and supportive of my efforts to bring authenticity to the setting and the occupations of my characters and I’m very grateful for that. I reward their time and patience with a signed copy of the book they’ve so kindly helped me with, and although I’m not sure if they ever get around to reading them, I’m pretty sure they’re chuffed to see their names in the acknowledgement pages.

In a couple of weeks I’m heading back to beautiful Colorado with complimentary signed copies of my latest release, “The Sheriff and the Baby” to give to these wonderful locals.

Now if only I could find a hot ex-priest to interview…

I’m giving away a copy of “The Sheriff and the Baby” to celebrate its release this week. I’d like to know from readers if setting is important to them. And if you could live anywhere in the world, where would it be?

Until next month!
CC

The Real World

Good characters make the setting real. The reverse is true, too. At writing’s finest, both happen at the same time; a seamless join that carries the story forward. I have to admit that choosing a setting—city or country? seaside or mountains?—is the about last thing I consider when I’m plotting a book. I deal with the main characters first. I give them personalities, then see how they act in juxtaposition to each other. From there, I determine what they do for a living. Last, I put them in a place that fits those parameters. For me, characters are most important because they’re going to make my setting real. Their quirks and foibles, strengths and weaknesses all add up to a story where I hope my readers can lose themselves: Mars or Manhattan, Mt. Washington or Wichita.

I like to use where the characters encounter one another as a way of showing who they are—and who they could become. In Man of the Year, Samantha is thrown into a whole new ballgame when she first encounters Jarrett in a steamy locker-room. He is immediately taken by how poised she is as the only woman in such a blatantly masculine realm. Kate in Baby on Board is horrified to find herself on a boat leaving the dock. Never mind that Patrick, a professional skipper, is at the helm. Patrick is equally horrified to learn she can’t swim and is terrified of the water. The conflict between them is heightened by this setting and the way they both act and react. Hopefully, their reality—being alive in the place—makes the setting more real.

What my characters do for a living is also part of the setting. Kate in Baby on Board is a glass-blower. The fire she works with clashes directly with the water that floats Patrick’s world of yacht-racing. A lot of steam is generated between them which often obscures the love they feel for one another. The working title of that book became Fire and Water, after the setting made itself clear. In my latest book—due out April 2010—Ian’s work as a shipwright is a perfect example of his quiet, methodical attention to detail: he makes the sawdust fly and that makes the boatyard come alive.

So, for me, characters make the setting. The more real I can make them, the more real the world they inhabit becomes. Do you want to come sailing on the Chesapeake Bay, or blow a glob of molten glass into a perfect goblet in Kate’s studio? My characters will lead the way. If I and they do their job, it’ll be just like you were there.

Cheers,

Lisa

I feel like I've been there

The mark of a really good author, to me at least, is if she/he is able to make me feel like I've been to wherever her/his story is set -- even if I haven't. My affinity for this aspect of stories came early with the woods and prairies of Little House on the Prairie, the lonely Alaskan landscape in Julie of the Wolves, and the East Indies of The Swiss Family Robinson.

My love of setting as character today can be found in the books that I keep on my limited keeper shelf. Nevada Barr's Anna Pigeon mystery series, which takes readers to various national parks and their differing landscapes -- from the remote canyons of Big Bend in Texas to the humid lushness of the Natchez Trace in Mississippi to the still-to-be-refurbished ruins on New York's Ellis Island. Another mystery author who is a master at making setting a character is Dana Stabenow, who has made the Alaskan bush so real to me in her Kate Shugak series that I'd almost swear I've been there.

And the settings don't have to be real places for them to come alive. J.R. Ward's Caldwell, New York in her Black Dagger Brotherhood series is very real in its dark, dangerous and urban way. And Nora Roberts did such a masterful job describing her fictional island in her Three Sisters Island trilogy that I still want to go there. My sister and I decided we wanted to run the bookstore/cafe combo that figures prominently in the novels.

Those of us who write for Harlequin American often shine the spotlight on charming small towns. It's fun to incorporate aspects of small towns I've visited all over the country -- a bakery from here, a landscape from there, a park from somewhere else.

Who are some of the authors and books that struck you as having very real settings, ones that are a character in and of themselves?

A Blast from the Past

All the great posts this month about settings have inspired me to write one of my own. My first two books—The Man for Maggie and With This Ring—were set in a fictional small town on the east coast. For the next two books—titles TBA—I zipped across the country to the amazing and very real city of San Francisco.

Using this well-known city as a backdrop for a story has been a lot of fun, partly because its interesting neighborhoods have a lot of small-town characteristics, and also because so many aspects of the city have become cultural icons.

My favorite neighborhood is Haight-Ashbury, named after two of the most famous streets in the county.

What comes to mind when you hear the name Haight-Ashbury?

The ‘60s? Hippies? Flowers in your hair? Rock and roll?

Even if you weren’t part of that culture (I certainly wasn’t) or if you are too young to remember it (I'm definitely old enough), the name of that neighborhood probably represents something.

I first visited a couple of years ago and one thing jumped out at me right away. William R. DeAvila School—formerly an elementary school—is one block from that oh-so-famous intersection.

My imagination immediately kicked into overdrive. What would it have been like to raise a family or go to school in that neighborhood in the ‘60s and ‘70s? Right away those questions led me to a story about two people whose parents were members of that generation, and residents of that neighborhood.

The hero and heroine of this story moved away from Haight-Ashbury, and now both are back, albeit for very different reasons. I’ve had a lot of fun writing their story and I’ll soon be working on the sequel, which is set in another intriguing San Francisco neighborhood. Stay tuned.

Peace!

Lee

Small Towns--a Whole 'Nother World

Having lived in a small town during my teen years and after, I’ll be the first to admit that there are pros and cons to small town life. But I’ll also admit that I love writing books set there. Why? Maybe because it’s fiction, and I can show all the pros and skip the cons. You know, all the coziness of a small town without the gossip and everyone knowing everyone else’s business. Oops! I shouldn’t be telling tales, should I?

I was born in the big city and spent my early childhood there. Not BIG big city. Presently, our population is half a million, but that includes those surrounding bedroom communities. You know, some of those small towns. When I was twelve, we moved from the city to a small town where my mother was born and filled with relatives. Every time I mentioned someone from school, my mom would ask who “they belonged to”. More than likely, she knew something about the family, if not that we were somehow related, even in shirttail fashion. I became comfortable with it after a time and learned to adjust to a new style of life—a life full of cousins and knowing everyone and having lots of fun. Even better, I spent six years in the same school, more than I’d ever spent in one school before. It was heaven. Being a bit ornery, when my daughters attended school there later, I loved playing the “cousins” game with them, just as my mother had with me.

But after returning to that small town following my divorce and twenty-four years on a farm, I started to see a side to the town I’d never realized and wish I’d never known. Even my daughters noticed things had changed. So we’re back in the big city again, we being myself and my daughters, and I love having fast food within a few blocks, instead of a twenty mile drive away. I still miss the wide-open spaces of life on the farm and running in to friends in the small town grocery store. I’m saddened that the small town where I finished my youth became a refuge of city dwellers who eventually brought with them all the problems they should have left behind. I miss the small town it once was, so I fashion my fictional small towns on the good things I remember most. The funny characters who’ve lived there all their lives and make the town come alive, the friends who wave as you drive down the one or two blocks of “downtown” make small town living...comfy and warm and accepting.

Some of my best memories are of living in that small town, and I try to share some of those—although a bit fictionalized—with readers.

Setting is Not Just a Location

Setting is one of the trade-marks of the American Romance line but it's not just a location. Setting impacts a character's life, influences the decisions they make, dictates their actions and even teaches them what really matters in life.

I've written some unusual settings for American Romance. Heather's Hollow--a Scotch-Irish holler deep in the Appalachian mountains of Kentucky. A South Central Los Angeles barrio. A Polish neighborhood in Queens, NYC. A dairy farm in Illinois. And the more traditional settings of small, rural fictitious towns out west in Oklahoma, Idaho, Texas, and Nevada.

When I was asked to write a Christmas story (The Cowboy and the Angel Nov 08) the setting of the book came to me first--even before the characters and the plot. I wanted to pick an "un-Christmasy-like" location. The first place that came to mind was Detroit, Michigan. When one thinks of Detroit they think cars, Motown, sports, poverty, economic depression, crime and one of the worst housing markets in the United States. Detroit seemed like a place where Christmas Miracles were far and few in between.





I did a lot of research for the book and enjoyed every minute of it. I wanted to show the reader that even in the darkest, grittiest, most dangerous corners of our big cities hope and love persevere.




This photo shows the old Screw Works Factory which I used in my book(changed the name)as the place the runaway kids took shlter in. The factory has since been demolished.


Here's a photo of the People Mover--an elevated light rail system in downtown Detroit that I used in the story.


The heroine in the story lived in the historic Corktown area:





Setting can make a story come alive and take the reader to a place they've never been. Add an unforgettable tale of love and more than likely your book will remain with the reader long after they finish the last page.

What's the most unusual, intriguing setting you've come across in a Romance novel?

Marin Thomas
Samantha's Cowboy (Aug 09)
A Cowboy Christmas (Dec 09)
www.marinthomas.com

Setting

I'm one of those people who likes to use real settings. One of my favorites is my hometown of St. Louis. Since I've lived here all my life, including both undergraduate and graduate college, I feel that as a native I can take liberties. Some of my favorite books are here, such as Capturing the Cop, Catching the Corporate Playboy, About Last Night, The Playboy's Protegee, and Unwrapping Mr. Wright.

I'm a big city girl, and so most of my works take place in a bigger city. That doesn't mean that I don't move around. I let things inspire me. My trip to Branson and Manhattan, KS, brought about setting Twins for the Teacher in Branson. I used to spend summers on a lake in Wisconsin, and I used that lake, but moved it to Minnesota, for July's Bachelor CEO. In honor of Mike Storm, who gets a small role as a character in Bachelor CEO, I set the book in Iowa, which is where he and his wife are from. After having to work in the classroom next to me for 6 years, I figured it was the least I could do.

My first book A Little Office Romance took place in Washington DC, a setting usually taboo in the romance world for some reason. I ended that book in St. Louis, when the hero finds his heroine at the ball game.

The fun part of settings for me is what is real, what is fiction, and what is a little bit of both.

PS, I am now a public person on Facebook. You can be a fan at www.tinyurl.com/r8hkd7

Michele

The real Crested Butte

While Lisa prefers to write about fictional towns, I've chosen a real place as the setting for all my Harlequin American Romances. Crested Butte, Colorado is a real ski town in Southwest Colorado, and one of my very favorite places to visit.

I did contemplate changing the name when I first set out to write my series of books set in the carefree resort town, but I decided that the real thing is too unique and fun to try to copy.

Not only is the town real, but all the festivals and most of the businesses and landmarks in my books (Marriage On Her Mind, The Right Mr. Wrong, The Man Most Likely and the upcoming Daddy Auditon and Her Christmas Wish) are real. From Flauschink, which celebrates the flushing out o winter, to Vinotok, featuring a giant effigy of The Grump that goes up in flames with the complaint and regrets of townspeople inside, Crested Butte knows how to throw a good party.

None of the people in my books are real people, though. That probably doesn't stop people in Crested Butte from looking for their friends and neighbors in the pages, but so far I haven't had any complaints.

Of course, I'm writing fiction, so I don't pretend to stay true to every facet of life in the real Crested Butte. I try hard not to write anything derogatory or negative. I really do love the town and the people I've met there have always been very nice and supportive. If any of them are offended, I'll take this opportunity now to apologize to them.

Writing about a real time is a tricky balancing act between adhering to facts and choosing the details that work for my characters and story. I hope readers will see love visiting the town in my books as much as I love going there iin real life.

You can find out more about the real Crested Butte here.

In a Texas frame of mind...

In a Texas frame of mind…

Oh, one of my favorite topics—setting. It’s such a big part of our stories. My books are set in Texas from the beautiful Hill country in central Texas to the piney woods of east Texas to the rolling plains and prairies to desolate west Texas and to the Texas Gulf coast.
My characters have a kaleidoscope of landscapes where they work, play and fall in love.

My favorite is small town Texas and ranches. I grew up in rural Texas on a farm/ranch. That’s what I love about writing for the American line—I can draw upon those years for references and inspiration.

As a kid my dream was to live in the city. On a hot summer’s day I’d sit beneath a huge live oak whose branches spread out like an umbrella over a stock pond on our ranch. I’d look up and see the sun peeping through the branches and wish I was anywhere but here on this dusty, hot ranch. I’d dream of air-conditioning and the city where a girl didn’t have chores to do or have to get her hands dirty. As you can see I’m a daydreamer.

After high school, I finally left the ranch for college and the big city. It was rush, rush, rush. People weren’t as friendly as they were in our small community. It was a big adjustment. I then realized what I’d had all along; the serenity and comfort of wide open spaces and the security of family and home. I go back every chance I get. Most of the time I go back in my books. They contain a piece of my childhood and a slice of life in Texas.

I think most authors write about what touches their heart, their emotions and their senses. I’m always in a Texas frame of mind. How about you? Any favorite settings?

Linda
http://www.lindawarren.net/
The Sheriff of Horseshoe, Texas – March AR
Caitlyn’s Prize – July SR

Setting Influences Character

Hello Everyone!
This month some of us are talking about settings for our stories, and I have to say I'm more excited to read this blog than ever. Back in the dark ages, all the romances were set in exotic foreign places. Now, I love those books and still read them, don't get me wrong, but I thought: hmmm, don't American men and women fall in love? Isn't there any romantic city in the USA? So when the first American settings appeared, with American men I might dream about, and American women who could just as easily be friends I grew up with, I was thrilled. (Anyone willing to believe I was also three years old?)

My first book is set in Chicago, a city known for its wind, chill, pizza, politics, and most recently, our President. There are little neighborhoods, impossible one-way streets, and places that are--well, let's just say you wouldn't want to be caught there after dark. I love Chicago. I asked the Harlequin art department to put skyscrapers on the cover of Marrying the Boss since Louis Sullivan and Frank Lloyd Wright (plus others I can't think of now, sorry) "invented" the tall buildings there after the Chicago Fire. It's a big city so it has an "on the edge" feel, but with a Midwest twang. This influences the lives of my characters, of course.

For my second book, I created a fictional town outside of Kansas City, Missouri. "Howard" has a small-town flavor, where everyone knows everyone else and your mom's friends tell her if you're out on a date--or not. My hero in The Fake Fiancee had to deal with this situation after he told his mom he was "practically" engaged, when in fact he wasn't seeing anyone. Poor Joe had been out on the West Coast too long and forgotten how small towns work. His intentions were good (protecting his mom's fragile health), as he's a decent Midwestern man. I loved when characters showed up to bedevil them--at the Garden Society Exhibit, the movie theater, in restaurants, everywhere he and his "fake fiancee" went. It's fun to place the hero and heroine in boring locations (the laudromat, for instance) and see how their presence there makes the spot romantic.

The big city whirlwind and the small town coziness both appeal to me since they "grow" such different crops of characters. Do you have a preference?

Till next month,
Megan Kelly
megankellybooks.com